Each week, Frame.io Insider asks certainly one of our skilled contributors to share a tip, software, or method that they use on a regular basis and couldn’t reside with out. This week, Chris Tennant types out his AVID Media Composer challenge utilizing coloration coding.
Methods to Colour Code Media Composer for a Quicker Workflow
Colour coding your Media Composer timeline is a helpful strategy to rapidly perceive an advanced edit. It additionally opens up organizational methods, since you may choose all color-coded clips on the similar time.
To do it, first duplicate your sequence into a brand new empty bin. Choose Bin->Set Bin Show… and allow “Present Reference Clips.” Press OK, and your bin will populate with all supply materials utilized in your sequence.
Subsequent, choose Bin->Sift Bin Contents… The Customized Sift window will seem, which helps you to filter clips within the bin. You may filter your clips by metadata in any column based mostly in your challenge group. For instance, chances are you’ll filter clips with the .exr extension to seek out all VFX, clips in your SOUND EFFECTS drive to seek out all sound results, or clips created on a particular date to slender down a gaggle of dailies.
When you’ve filtered for a particular sort of clip, you may coloration code them in your timeline by right-clicking within the Colour column. Repeat this course of for every sort of media in your bin, and your timeline will replace robotically. (In case your timeline doesn’t replace, choose your timeline’s quick menu->Clip Colour. Be certain that “Supply” is enabled.)
Right here’s how I coloration code my media:
VFX: Tan
Titles: Gray
Dialogue: Pink
ADR: Darkish pink
SFX/Atmosphere: Mint
Music: Brown
Choosing a color-coded group
To pick out all clips in a coloration group, proper click on on certainly one of them and press Choose->Clips with Similar Supply Colour. You may drag the color-coded clips onto a brand new layer in your timeline, copy them to a brand new timeline, or delete them totally. That is notably helpful when turning timelines over to totally different distributors within the ending course of.
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