After I joined Body.io three years in the past, we introduced our intention to embark on a brand new path to attach the manufacturing neighborhood to the cloud. Why? As a result of for the previous 100 years of movie and video manufacturing, we lived with the inconvenient disruption of needing to obtain or ship some form of bodily media in an effort to edit or share it.
Eighteen months later, we officially launched Frame.io Camera to Cloud (C2C) with two {hardware} companions—Teradek for video and Sound Gadgets for audio. And what an 18 months it’s been since then! Greater than 5,000 productions have used Digicam to Cloud, and we’ve heard from administrators and producers—for sequence like WeCrashed, dwell sports activities occasions for the Golden State Warriors, and subject shoots for Crimson Bull Media—that it’s modified the best way they work by dramatically rising the pace of inventive collaboration and the flexibleness of their workflows.
In that point, our C2C Connections neighborhood has additionally expanded with dozens of latest partnerships, and the variety of cameras with C2C compatibility has elevated exponentially. Greatest-in-class integrations with Teradek, Atomos, and FiLMiC Pro have made it attainable to shoot just about any sort of venture and have speedy viewing and modifying entry from anyplace on the planet.
“We’ve taken the subsequent step towards the cloud-based workflow we’ve been envisioning—no extra {hardware}, and no arduous drives required.”
Immediately, at Adobe MAX, we’re saying the subsequent leap ahead in connecting cameras to the cloud. New partnerships with RED and Fujifilm are actually eradicating the barrier of needing to bodily transfer media. With the Digicam to Cloud integration now constructed instantly into the cameras, we’ve taken the subsequent step towards the cloud-based workflow we’ve been envisioning—no extra {hardware}, and no arduous drives required. That is greater than only a technological first—it’s a snapshot of the best way each inventive will work sooner or later.
RED V-Raptor and V-Raptor XL
Since day one, RED cameras have been C2C enabled via the usage of the Teradek CUBE 655. However with this new innovation (out there in late 2022), the RED V-Raptor and V-Raptor XL are capable of add 8K REDCODE RAW recordsdata on to the cloud from the digicam.
Whereas this at the moment requires entry to high-bandwidth networking (wi-fi or ethernet), it represents the subsequent tangible step towards the way forward for cloud-based RAW workflows. Digicam to Cloud with RED V-Raptor and V-Raptor XL unlocks the largest workflow enchancment in additional than a decade and begins to take away the delays each inventive group has been accustomed to with transport drives.
Give it some thought: productions that shoot on levels can ship authentic digicam recordsdata (OCF) on to the put up home as they’re being shot. Digital productions or complicated visible results can ship OCF on to the VFX home. ProRes recordsdata may be routinely delivered proper to manufacturing workplaces and reducing rooms for speedy modifying. And for productions that need the best high quality dailies, RAW video and audio recordsdata may be synced, coloration corrected, and transcoded within the cloud via our integration with Colorfront.
However what’s much more vital about this integration within the speedy future is that it allows a local ProRes proxy workflow that incorporates each ounce of asset metadata out there within the digicam. It’s a workflow designed to help our dedication to high-end, skilled cinema workflows by offering most of the similar advantages of an OCF-to-cloud workflow, however requiring much less community and processing infrastructure.
ProRes recordsdata are supported for playback on Body.io, so these high-quality recordsdata can be found to view, share, and edit with out requiring extra transcoding. This implies you’ll be capable to shoot 8K RAW with a frame-accurate ProRes proxy and add the 8K RAW, the proxy (or each) as quick as your web permits. And on high of that, it precisely captures off-speed recordings, which is one thing lots of you have got been asking about.
In the event you’ve watched the demo within the video on the high of this text [4:18] , you’ll see how simple it’s to securely authenticate the digicam to Body.io, and the way rapidly we despatched the first-ever automated transmission of an 8K RAW R3D file, a CDL, a ProRes proxy file, a WAV, and a customized LUT—all related to every take.
Till now, most workflows required the monitoring and tracing of quite a few sidecars. With Digicam to Cloud, our centralization and automation accelerates the transition from manufacturing to put up and higher connects creatives with their collaborators. That is the inspiration of a wholly new workflow that may ultimately change into the business commonplace.
FUJIFILM X-H2S
After we first launched Digicam to Cloud, we talked quite a bit about the way it enabled the skilled video business to work extra like the best way social media influencers have shared pictures for years, capturing photographs on cell gadgets and sharing them instantly on platforms like Instagram.
However at present we’re saying an integration designed particularly for skilled nonetheless photographers. FUJIFILM X-H2S is the world’s first digital digicam to natively combine with Body.io Digicam to Cloud. When paired with the FT-XH file switch attachment to determine an web connection, pictures workflows can be absolutely cloud-based, with Body.io supporting high-resolution RAW recordsdata with loupe, navigation, and annotation instruments.
This integration can be particularly helpful for multidisciplinary inventive groups, in order that associated belongings like photographs and graphics may be simply organized in the identical Body.io venture together with video. What’s additionally notable is that the X-H2S can add ProRes and proxy video recordsdata, which unlocks an entire new method of working. You may shoot something—from a marriage to a sporting occasion or dwell live performance—ship your photographs (or video) to somebody in your group to allow them to retouch the asset—and share it or put up it with out ever having to trade a drive or digicam card, or any sort of bodily media.
Anticipated firmware launch date for each the X-H2S & FT-XH is Spring 2023.
Realizing a imaginative and prescient
Whereas capturing to the cloud definitely hurries up your workflow, there’s extra to it than simply that. It additionally will increase the flexibleness and management you have got over the best way you’re employed. Think about your uncooked digicam footage being immediately backed up and accessible to anybody with out downloading or transport a drive. That’s what we’re doing, and the Digicam to Cloud ecosystem we’re constructing is the important thing.
As bandwidth improves, the expectation for speedy entry to footage will change into probably the most important part to an environment friendly workflow. By evolving the know-how to incorporate in-camera automated file transmission, we’re making huge strides towards conducting this purpose for productions of every type, sizes, and budgets.
Wanting again on greater than 20 years of working in media and leisure, I understand that what has constantly impressed me all through my complete profession is the need to make use of know-how to enhance inventive control. That’s what’s so thrilling about these new improvements.
However what’s most enjoyable for us is seeing the way you determine to make use of them, and the way they permit you to do extra groundbreaking work. That is the subsequent leg of the journey and we will’t wait to see what lies forward. Go to us here to remain knowledgeable about these firmware releases and extra.
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