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What a DIT Does on a Film Set

Everything Everywhere All At Once Digital Headset.jpg


DIT is what DIT is.

Everything Everywhere All At Once Digital Headset

By  · Revealed on June twenty first, 2023

Welcome to The Queue — your day by day distraction of curated video content material sourced from throughout the online. At this time, we’re watching a video essay that explores what a digital imaging technician — or DIT — does on a movie set.


Look, an excellent chunk of us have doubtlessly had the expertise of getting to grossly oversimplify our jobs to clarify to our kinfolk what we do for a residing. It’s not the entire image. But when it will get your nice aunt Joanne off your again, so be it.

So, a second of silence for all of the Digital Imaging Technicians on the market, who will need to have a doozy of a time detailing their line of labor to anybody who nonetheless remembers the Kennedy presidency.

Because the video essay under particulars, DITs are indispensable on trendy industry-level movie units. Their job title could also be considerably ambiguous, however such is the way in which of information administration. They’re the oldsters accountable for ensuring cameras don’t run out of recording area. They quality-check the footage. They usually present a direct connection between manufacturing and post-production.

To my strawman, Aunt Joanne, DITs are hard-drive babysitters. However you, a noble movie fan, know higher. Or you’ll, when you watch the next video essay, which breaks down what a Digital Imaging Technician does on a movie set.

Watch “What A DIT Does On A Movie Set”


Who made this?

This video essay on what a DIT does is by In Depth Cine, a YouTube account devoted to offering its viewers with sensible rundowns and explainers on a number of the extra technical facets of movie-making. Grey Kotzé, a documentary DP primarily based in South Africa, is the person behind the channel. You’ll be able to take a look at Kotzé’s portfolio on their web site here. And you’ll take a look at In Depth Cine on YouTube here.

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Meg has been writing professionally about all issues film-related since 2016. She is a Senior Contributor at Movie College Rejects in addition to a Curator for One Excellent Shot. She has attended worldwide movie festivals comparable to TIFF, Scorching Docs, and the Nitrate Image Present as a member of the press. In her day job as an archivist and data supervisor, she repeatedly works with bodily media and is dedicated to making sure ongoing bodily media accessibility within the digital age. You’ll find extra of Meg’s work at Cinema Scope, Lifeless Central, and Nonfics. She has additionally appeared on numerous film-related podcasts, together with All of the President’s Minutes, Zodiac: Chronicle, Cannes I Kick It?, and Junk Filter. Her work has been shared on NPR’s Pop Tradition Glad Hour, Enterprise Insider, and CherryPicks. Meg has a B.A. from the College of King’s School and a Grasp of Data diploma from the College of Toronto.

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