Nolan goes again to black (and white).
Welcome to The Queue — your every day distraction of curated video content material sourced from throughout the online. Immediately, we’re watching a video essay that explores why Oppenheimer’s particular black and white IMAX segments are important.
As of this text, we’ve but to be graced with Christopher Nolan’s Oppenheimer, a biopic concerning the father of the atomic bomb. However one of many few crunchy particulars we do know is that the movie will alternate between shade and black-and-white. Nolan has used this visible distinction earlier than, in his 2000 movie Memento. However what makes Nolan’s use of black-and-white this go-round totally different is that it’s going to be in IMAX.
“Wait a minute,” you say. “Why is that necessary not to mention attention-grabbing?” Effectively, my pal. Black and White IMAX movie is actually being invented for Oppenheimer. Kodak is making 15 perforation 65mm movie in black-and-white for the primary time ever within the 12 months of our lord 2023. Nolan isn’t simply changing shade movie to black-and-white in post-production. He’s commissioning an trustworthy to god new sort of analogue movie for his new film. And that’s cool as hell.
Nolan being Nolan, using black-and-white doubtlessly has some sort of narrative significance. And the video essay beneath’s guess might be appropriate: that it’s a significant visible metaphor for a historic public determine usually depicted in black-and-white phrases.
The video essay additionally digs into what this alternative has to do with movie preservation and why Nolan champions analogue movie as a preservation format over digital. Get pleasure from!
Watch “Why OPPENHEIMER’s B&W IMAX Movie is so particular”
Who made this?
This video essay on what makes the black and white IMAC pictures in Christopher Nolan’s Oppenheimer so thrilling is by Body Voyager. Body Voyager is run by John and Anna Owens. You’ll find extra of their video essay content material on YouTube here.
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Associated Matters: Black and White, Christopher Nolan, The Queue
Meg has been writing professionally about all issues film-related since 2016. She is a Senior Contributor at Movie College Rejects in addition to a Curator for One Good Shot. She has attended worldwide movie festivals comparable to TIFF, Scorching Docs, and the Nitrate Image Present as a member of the press. In her day job as an archivist and data supervisor, she commonly works with bodily media and is dedicated to making sure ongoing bodily media accessibility within the digital age. You’ll find extra of Meg’s work at Cinema Scope, Useless Central, and Nonfics. She has additionally appeared on plenty of film-related podcasts, together with All of the President’s Minutes, Zodiac: Chronicle, Cannes I Kick It?, and Junk Filter. Her work has been shared on NPR’s Pop Tradition Blissful Hour, Enterprise Insider, and CherryPicks. Meg has a B.A. from the College of King’s School and a Grasp of Data diploma from the College of Toronto.
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