Agnès Varda’s Les Créatures (The Creatures)With the total Venice Immersive slate introduced yesterday, the Venice Classics lineup has now been revealed forward of the eightieth version of the Venice Worldwide Movie Pageant. Curated by Alberto Barbera in collaboration with Federico Gironi, this 12 months’s Venice Classics slate options newly restored variations of William Friedkin’s The Exorcist, Terrence Malick’s Days of Heaven, Agnès Varda’s The Creatures and way more.
Alongside latest restorations, a number of movies within the lineup boast new “Director’s Lower” labels, together with Andrei Tarkovsky’s masterpiece Andrei Rublev, which, based on the curators, “might be introduced within the reconstruction of the whole unique model, which was censored earlier than its launch and has by no means been seen till now.” One other movie re-cut on account of rediscovered footage that had beforehand been censored by the state is Yasujiro Ozu’s There Was a Father. Different movies “not simply restored, but in addition revised by the filmmakers themselves” are Francis Ford Coppola’s One from the Coronary heart and Profundo Carmesí (Deep Crimson) by Arturo Ripstein.
One other standout is Orson Welles’s TV documentary Portrait of Gina, which profiled his buddy, Italian actress Gina Lollobrigida. The doc was initially conceived as the primary of “a collection of portraits of individuals and locations for the American broadcasting community ABC, however which was by no means adopted up.” Lollobrigida might be honored by the competition throughout a pre-opening evening that additionally screens La provinciale (The Wayward Spouse) by Mario Soldati, which the curators describe as that includes “one in all her best performances.”
Discover the total Venice Classics lineup beneath, and go to the competition’s official website for additional particulars.
Slike Iz žIvota Udarnika (Lifetime of a Shock Power Employee)
By Bahrudin Bato Čengić (Yugoslavia, 1972, 78’, Color / B/W)
restored by: Slovenska kinoteka / Filmski centar Sarajevo / Hrvatski državi arhiv – Hrvatska kinoteka / Ōsterreichisches Filmmuseum with the supporto f the EU Artistic Europe Medie Programme / ACE – Affiliation des Cinémathèques Européennes / Ministrstvo za kulturo Republike Slovenije
Ultimo Mondo Cannibale (Jungle Holocaust) – Midnight Screening
By Ruggero Deodato (Italy, 1977, 90’, Color)
restored by: Minerva Footage
Rebecca of Sunnybrook Farm
By Allan Dwan (USA, 1938, 81’, B/W)
restored by: Walt Disney Studios / The Movie Basis
One From the Coronary heart: Reprise
By Francis Ford Coppola (USA, 1982, 95’, Color)
restored by: American Zoetrope
The Exorcist
By William Friedkin (USA, 1973, 132’, Color)
restored by: Warner Bros.
King & Nation
By Joseph Losey (UK, 1964, 88’, B/W)
restored by: StudioCanal
Days of Heaven
By Terrence Malick (USA, 1978, 94’, Color)
restored by: Criterion / Paramount
Saaz Dahani (Harmonica)
By Amir Naderi (Iran, 1973, 76’, Color)
restored by: Institute for the Mental Improvement of Kids and Younger adults – KANOON / Roashana Laboratory
Chichi Ariki (There Was a Father)
By Yasujiro Ozu (Japan, 1942, 92’, B/W)
restored by: Shochiku / Nationwide Movie Archive of Japan
Tini Zabutykh Predkiv (Shadows of Forgotten Ancestors)
By Sergei Parajanov (Ukraine, 1965, 99’, Color / B/W)
restored by: Oleksandr Dovzhenko Nationwide Movie Studio
Profundo Carmesí (Deep Crimson) – Director’s Lower
By Arturo Ripstein (Mexico, Spain, France, 2023, 136’, Color)
restored by: Alebrije Producciones / Wanda Movies
The Working Women
By Stephanie Rothman (USA, 1974, 80’, Color)
restored by: The Museum of Trendy Artwork, New York
La Caza (The Hunt)
By Carlos Saura (Spain, 1966, 87’, B/W)
restored by: Video Mercury Movies
La Provinciale (The Wayward Spouse)
By Mario Soldati (Italy, 1953, 113’, B/W)
restored by: CSC – Cineteca Nazionale in collaboration with Compass Movie
Ohikkoshi (Transferring)
By Shinji Sômai (Japan, 1993, 124’, Color)
restored by: Yomiuri Telecasting Company
Andrei Rublev – Director’s Lower
By Andrei Tarkovsky (USSR, 1966, 191’, Color / B/W)
restored by: Istituto Internazionale Andrei Tarkovsky in collaboration with Coevolutions and Cloudpost
Les Créatures (The Creatures)
By Agnès Varda (France, 1965, 94’, Color / B/W)
restored by: Ciné Tamaris / CNC with the assist of SHE ECHOES and Chanel
Bellissima
By Luchino Visconti (Italy, 1951, 114’, B/W)
restored by: CSC – Cineteca Nazionale in collaboration with Compass Movie
Bugis Avenue
By Yonfan (Hong Kong, 1995, 98’, Color)
restored by: L’immagine ritrovata / Far Solar Movie
Out of Competitors:
Portrait of Gina
By Orson Welles (USA, 1958, 27’, B/W)
restored by: Munich Filmmuseum
Leave a Reply