Brit Marling is an inspiration. The proficient multi-hypenate turned an indie darling in 2011 with Another Earth and Sound of My Voice—collaborations with Mike Cahill and Zal Batmanglij respectively. She prevented varied vapid roles and unfulfilling profession paths and as a substitute went on to star in (and co-create with Batmanglii) the hit Netflix sequence The OA, which was bafflingly cancelled after two seasons, regardless of a rabid and enormous fan base. The two are again with one other sequence, FX’s A Murder At The End of The World—a cool Zoomer detective whodunit set in a distant super-hotel in Iceland. On this episode, she talks about how realizing she should play a personality impacts the writing course of, the “shared loneliness” of collaboration, utilizing AI as a narrative component earlier than the world even knew it existed, why she has to carry on to her character through the modifying course of, the cosmic concoction she makes use of to make her concepts develop, and far more.
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