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Part 2′ Soars As an Epic Sci-Fi Sequel

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Villeneuve brings the epic scope, Zendaya brings the center and humanity.

Dune part two
By  · Published on March 1st, 2024

Making an enormous studio movie is at all times a threat, and deliberately splitting the central narrative throughout two or extra motion pictures amplifies that threat in each potential manner. Sometimes it pays off as with the Star Wars franchise’s practically half-century run, and typically it shits the mattress — studios spent $400 million making three Divergent movies solely to cancel the fourth one leaving the entire collection with out an ending. Dune hit theaters and HBO Max in 2021 with the sequel’s manufacturing depending on its success, and fortunately, that success got here each on the massive display screen and small. Nearly three years later, that sequel has arrived, and Dune: Part Two is a powerful follow-up that blows open the motion, themes, and relationships of the primary in fantastically thrilling methods.

Dune ends with the annihilation of the House Atreides empire leaving solely Paul (Timothée Chalamet) and his mom, Lady Jessica (Rebecca Ferguson), alive. The pair are taken in by cautious members of the Fremen as Paul proclaims his intentions to assist the folks safe freedom from oppression, and the brand new movie picks up mere hours later. Fremen chief Stilgar (Javier Bardem) believes Paul to be the a lot prophesied messiah come to save lots of the Fremen folks, others suspect he could also be a spy, and desert warrior (and frequent visitor in Paul’s desires) Chani (Zendaya) finds her personal convictions about the entire thing conflicting with intense romantic emotions.

Meanwhile [space wipe!], elsewhere within the universe, Baron Harkonnen (Stellan Skarsgård) is rising uninterested in dropping very worthwhile spice harvests to Fremen raids on Arrakis. He dispatches his sadistic nephew Feyd-Rautha (Austin Butler) to squash the rise up and kill the mysterious Muad’Dib (it’s Paul!) main the cost. Seems like a easy sufficient conflict between good and evil, however what if Paul’s personal visions of a Holy War — with him on the helm — takes precedence?

There’s lots happening in Dune: Part Two, excess of a evaluate’s plot synopsis can deal with, and all of it sings with drama, pressure, thrills, and extremely wealthy character beats. Director Denis Villeneuve exhibits as soon as once more that science fiction is his residence as he builds on the primary movie’s setup to ship a real epic. Enormous set-pieces, visually gorgeous results, costume design as eclectic as it’s mad, and thrilling motion share the display screen with charisma, torrents of emotion (courtesy of a terrific Zendaya), and a shifting darkness worthy of an Empire Strikes Back comparability.

Zendaya’s Chani was current within the first movie, however she appeared principally as a silent imaginative and prescient earlier than lastly arriving late within the third act, however she’s each bit the center and soul of Dune: Part Two. You instantly purchase into the fierceness with which she fights and stands for her folks, and whereas there’s the tease of YA romance early on she rapidly finds her footing as an unbiased voice leery of Paul’s standing as savior to the Fremen. Her love is tangible, but it surely’s at odds with professional concern resulting in an emotionally torn efficiency.

Chalamet shines too and hasn’t felt this all-in and tangible since Call Me By Your Name (2017), and Ferguson doubles down as a human monster liable to twisted, heinous, and devious strikes within the shadows. Other returning performers together with Josh Brolin, Dave Bautista, Charlotte Rampling, and Bardem all do good work, however newcomers rapidly make their mark. Christopher Walken performs the emperor of the identified universe, Florence Pugh is his daughter, and Léa Seydoux joins Lady Jessica as one other member of the secretive and highly effective Bene Gesserit. It’s Butler who steals his each scene, although, as a brutally intense Harkonnen together with his personal merciless plans for the long run.

While the majority of the movie’s hefty (however by no means actually felt) working time unfolds on the golden, purple sands of Arrakis, Villeneuve properly shifts our consideration elsewhere at instances. The script, co-written by Villeneuve and Jon Spaihts, makes use of that point to introduce new characters and story threads whereas cinematographer Greig Fraser and manufacturing designer Patrice Vermette take the chance to chop free on the visible entrance. Scenes on the Harkonnen residence planet really feel virtually monochrome within the starkness and their milky, alien-like pores and skin, and it really works to maximise the oppressive nature of their rule.

It’s tempting to learn some connection to immediately’s very particular, actual world conflicts into the movie’s depiction of the Fremen and their oppressors, however that may be a mistake. The tragedy and oppression have very actual counterparts, however the identical could possibly be stated of the 80s when David Lynch’s adaptation was launched, of the 60s when Herbert’s novels first hit cabinets, and practically every other time in human historical past. It’s simply what we do as a species, each time, on a regular basis, and Herbert’s fiction simply added sand worms. All fictions borrow liberally from actuality, and to get hung up on correlation is to derail the expertise that’s Villeneuve’s Dune: Part Two.

The movie may be loved merely as an enormous, surface-level thrill trip delivering memorable sequences like Paul’s first makes an attempt at driving an enormous sand worm and characters price rooting for or despising. The textures and themes are there, although, for viewers who like their blockbuster leisure woven by dense world-building, essential commentaries on theocracies, colonization, and the convenience with which individuals succumb to non secular delusion. Come for the spectacle, keep for the center and heroism, the scrumptious villainy, and the emotionally epic finale. No matter your tastes, Dune: Part Two has you lined.

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Rob Hunter has been writing for Film School Rejects since earlier than you have been born, which is bizarre seeing as he is so rattling younger. He’s our Chief Film Critic and Associate Editor and lists ‘Broadcast News’ as his favourite movie of all time. Feel free to say hello for those who see him on Twitter @FakeRobHunter.



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