Accompanying his debut article in Filmmaker’s print version, “Did You See (and Hear) That?),” Devan Scott posts in the present day a video essay, “Why Are Movies So Dark?”, that gives visible backup for his factors. “Contemporary visuals are commonly diagnosed as dark,’ ‘underexposed’ or ‘underlit’. In actuality, they describe an array of phenomena, many of them widely misunderstood,” he writes. “The most common charge, dim,’ is often used interchangeably with ‘underlit.’ Tools are frequently blamed; ‘the digital look’ is as much an accusation of modern equipment as an assessment of its apparent effects.” Watch Scott’s new video above.
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