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OEDIPUS. Wyndhams Theatre WC1 | theatreCat

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October 30, 2024 · 5:37 pm

A brief catch-up on one of many season’s greats (was away..)

Mark Strong is made to play nice tragedy: a protracted highly effective physique,  managed bleak clever  options.A determine from any age or tradition, match to precise hope and energy and perception , and to wrestle earlier than our eyes with conscience and destiny. 

    You don’t essentially get that on display screen, however it took me days to recover from his Eddie Carbone on the Young Vic: his stage title is not any understatement. It can also be a truth – accepted now by this occasional Icke-sceptic – that Robert Icke is born to deliver Greek tragedyi to the 21c.  After the irritating and pretentious Zeldin try on Antigone (https://theatrecat.com/2024/10/09/the-other-place-) final month on the NT, his adaptation and route right here is the true factor.

      Icke units it on election evening , as an idealistic newcomer is on the sting of victory. Lesley Manville is his spouse Jocasta, relict of the previous PM: assured, mature, content material in his success and their kids.  Into the marketing campaign  room bursts a scruffy, tattooed man speaking of seeing the long run (excellent modernisation of Tiresias: he’s be peddling crystals as of late).  Meanwhile the hero’s outdated Mum in a raincoat desires a phrase, and retains being delay by his officers. And so, off it goes.     It’s  a gradual burn for some time however price it. 

     We know that two harsh revelations await Oedipus, and earlier than lengthy see how they could hit him. The first, Laius’ loss of life and his involvement, stirs deep sufficient.   however the second – nicely, I suppose some only a few folks might flip up and never know what it’s .

 Its arfully made credible in a wrenchingly good speech by Manville, however when the true hit comes the ultimate minutes – between June Watson’s Merope and the central pair – rise to a bomb-blast of terror and pity, as Sophocles meant.  All the extra highly effective for being set in a world of actual energy and conscience, in contrast to the selfpitying Zeldin final month.  Greek Tragedy achieved correctly: respect!  

Delfontmackintosh.co.uk to 4 jan 

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