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Is Generative AI for Video Ready for Prime Time Production?

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By now, everybody has heard of Generative AI (synthetic intelligence) instruments like MidJourney, Stable Diffusion, and ChatGPT and the way they’re impacting the world. But are they really as disruptive because the headlines recommend? And if that’s the case, how may we use the potential of AI and machine studying to energy our personal initiatives?

There’s a number of theoretical chatter about what AI may or may not be able to, however to essentially reply these questions you’ve acquired to make use of these new instruments in a real-world setting. So that’s precisely what I’ve performed.

With a bunch of like-minded and very technical buddies, I created a challenge that mixed conventional and digital manufacturing methods with cutting-edge AI instruments geared toward producing new types of media. As a group, our purpose was to ascertain how far we may push these new instruments, whether or not they’re able to delivering viable outcomes, and what they may permit us to realize on a particularly restricted price range.

Before we get too deep into the method, let’s start with some definitions of AI phrases and the present AI filmmaking instruments. (If you’d choose to skip forward, click here.)

AI phrases

Artificial Intelligence has been round longer than you may notice. It was first acknowledged as an instructional self-discipline again in 1956 at Dartmouth College. Initial incarnations included computer systems that might play checkers, remedy math issues, and talk in English. Development slowed after some time however was renewed within the Eighties with up to date AI evaluation instruments and improvements in robotics.

This continued by means of the early 2000s as AI instruments solved complicated theorems, and ideas reminiscent of machine studying and neural networks took type by means of well-funded information mining firms like Google.

All this improvement set the stage for Generative AI, which is what most individuals are describing when the time period AI is getting used. Generative AI is a system able to producing textual content, pictures, or different media in response to pure language prompts.

Generative AI fashions be taught the patterns and construction of coaching information after which generate new information with related traits. In layperson’s phrases, Generative AI instruments imitate human reasoning and responses primarily based on fashions derived from examples created by people. Unless in any other case said, after we say AI in the remainder of this text, we imply Generative AI.

Now that we’ve zeroed in on Generative AI let’s perceive some vital phrases of curiosity to filmmakers.

  • Algorithm: a set of directions that tells a pc what to do to unravel an issue or decide.
  • Computer imaginative and prescient: an AI that may perceive and interpret pictures or movies, reminiscent of recognizing faces or objects.
  • Deep studying: an AI that learns from massive quantities of knowledge and makes choices with out being explicitly programmed.
  • Discriminator: In a GAN, the discriminator is the half that judges whether or not one thing created by the generator is actual or pretend, serving to each elements enhance over time.
  • Generative Adversarial Network (GAN): GANs are like an artwork contest between a creator and a decide. The creator makes artwork, and the decide decides if it’s actual or pretend, serving to each enhance over time.
  • Generator: an AI that may create life like pictures, like drawing an image of an individual who doesn’t exist or creating new art work impressed by well-known artists.
  • Inpainting: the method of retouching or utterly changing elements of a generated picture.
  • Large language mannequin (LLM): an algorithm that makes use of deep studying methods and massively massive information units to know, summarize, generate, and predict new content material.
  • Machine studying: a way for computer systems to be taught from information and make choices with out being particularly programmed.
  • Natural language processing: part of AI that helps computer systems perceive, interpret, and generate human languages, like turning spoken phrases into textual content or answering questions in a chatbot.
  • Neural networks: AI programs impressed by how our brains work, with many small elements known as “neurons” working collectively to course of info and make choices.
  • Outpainting: extending a generated picture past its unique borders with a second technology.
  • Prompt engineering: Carefully crafting or selecting the enter (immediate) you give to a machine studying mannequin to get the very best output.
  • Seed: a novel code that represents a selected generated picture; with the seed, anybody can generate the identical picture with a number of variations.
  • Segmenting: the method of dividing a picture into a number of elements that belong to the identical class.
  • Style weight: the diploma to which a method reference influences a generated versus an enter video.
  • Style structural consistency: the diploma to which a generated video resembles the enter reference.
  • Training information: a set of knowledge reminiscent of textual content, pictures, and sound to assist AI mannequin new examples.
  • Upscale: an AI technique of accelerating a picture’s decision by analyzing its contents and regenerating them at the next decision.

AI instruments

There are different attention-grabbing phrases associated to AI, however this listing will get you into the ballpark for filmmaking. Let’s proceed with a survey of some AI filmmaking instruments. Some of those instruments are business front-ends to open-source/educational merchandise.

Text-to-image turbines create extremely detailed, evocative imagery utilizing a wide range of easy textual content prompts.

  • MidJourney: a widely known picture generator.
  • Stable Diffusion: an identical software to MidJourney.
  • Adobe Firefly: Adobe’s tackle AI is well-integrated with Photoshop and contains a acquainted skilled interface in comparison with among the extra summary interfaces.
  • Cuebric: combines a number of completely different AI instruments to generate 2.5D environments to be used as backgrounds on LED volumes.

Text-to-video turbines construct on text-to-image by increasing their capabilities to shifting picture outputs. Some additionally embrace video-to-video turbines, which remodel current video clips into new clips primarily based on a method reference. For instance, you can take footage of somebody strolling down a road, add a reference to a distinct metropolis, and the software will try to make the video appear like the model reference.

  • Runway and Kaiber supply text-to-video and video-to-video modes. We anticipated that almost all of our work would contain these sorts of instruments.

Additional instruments

NeRF: Neural Radiance Fields or NeRFs are a subset of AI used to create 3D fashions of objects and places primarily based on taking numerous pictures as a form of supercharged photogrammetry.

Luma.AI and Nvidia Instant NeRF simplify the seize and processing of NeRFs, creating extremely life like and correct 3D fashions and places utilizing stills from cameras or telephones.

AI movement seize/VFX

  • Wonder Studio: a visible results platform that takes supply footage of an individual, rotoscopes them out of the footage, and replaces them with a CG character matched to their movements- with out monitoring markers or guide intervention.
  • Move.AI: derives correct movement seize from a number of cameras while not having costly movement seize {hardware}, seize fits, or monitoring markers.

The group

I’ve a bunch of filmmaker buddies I’ve recognized for years. We met at an intensive movie manufacturing workshop and bonded over a whirlwind summer season of pre-production, manufacturing, and post-production. They’re all profitable filmmakers in numerous disciplines, together with manufacturing, writing, directing, visible results, modifying…it’s a protracted listing.

So after I mentioned the potential of AI instruments to remodel how motion pictures are made with my filmmaking buddies, they have been eager to check them out collectively on a real-world challenge.

The plan

The thought was to have two of my colleagues come out to my place in San Francisco (which features a 16’ x 9’ LED wall) for a three-day check challenge. We’d shoot live-action with completely different cameras and methods after which course of them with numerous AI instruments. We needed to see if we may create a high-end end result with minimal sources and be taught if these AI instruments held any life like promise for filmmaking democratization.

First, we would have liked a narrative. One of our group members is a author/director/editor, and was beneficiant sufficient to supply a number of pages from an current script to make use of on this shoot. (She requested I maintain her nameless for this text, so we’ll name her Kim.) In this script section, a rescue employee is making an attempt to retrieve secret antiquities from the cathedral at Notre-Dame in Paris throughout the 2019 hearth—an formidable endeavor to make sure.

The different collaborator is my good good friend, Keith Hamakawa. Keith works as a visible results supervisor primarily based in Vancouver, Canada. He’s acquired tons of expertise overseeing live-action and remodeling it into spectacular visible results for reveals like CW’s The Flash, Supernatural, and Twilight. He has additionally arrange digital manufacturing LED levels in Vancouver.

We tried completely different methods to seize live-action footage after which see how effectively they’d translate into good AI materials. Our three main modes of manufacturing have been digital manufacturing with an LED wall, a inexperienced display screen, and stay motion captured on-location. Our shoot happened the week of June nineteenth, 2023—vital to notice as a result of on the present tempo of evolution, issues might have modified by the point you learn this.

Our experiments

Experiment #1— LED wall with mounted digital camera, medium close-pp

We began with a sequence through which our protagonist is speeding to Notre Dame on a motorbike. The shot was arrange with me because the actor, seated in a set chair carrying a considerably goofy spaceman helmet in entrance of the LED wall. We then projected driving plates behind the actor with a Blackmagic Ursa 4.6K digital camera with Zeiss Compact CP2 prime lenses on a pedestal tripod.

Next, we processed this footage by means of Runway and used its Gen-1 video-to-video technology software. We fed a information photograph of Notre Dame on hearth as a background picture, with a full-frame picture of a man on a motorbike composited over it as our reference. Finally, we hit Generate Video and awaited the outcomes.

Interestingly, this primary picture turned out as the most effective outcomes of the whole shoot. Runway picked up on each the model of the foreground and background we have been on the lookout for. It transposed my helmet into an appropriately high-tech bike helmet. It additionally remodeled the daylight driving footage into appropriately intense fire-filled metropolis backgrounds. Although the humanoid determine had some odd artifacts across the mouth space, basically, we appreciated the outcomes.

Experiment #2: LED wall with shifting digital camera

For this shot, Kim acted as our most important character peering over a wall because the cathedral burns within the background utilizing the LED wall. This time we shot with a handheld iPhone taking pictures 4K and projected an Unreal Engine 3D background that includes a forest hearth setting. Honestly, it seemed fairly cool by itself as a shot, so we figured AI would make it even higher.

This time we fed the outcomes into Runway with an identical reference picture of Notre Dame on hearth. We weren’t certain if it was the change within the digital camera format, the shifting picture, or the quantity of motion within the LED display screen background, however Runway couldn’t appear to provide the specified outcomes.

Complex digital camera motion the place the principle actor’s face shifts fairly a bit…appeared to throw off the AI.

It handled the LED background as a flat object, like an indication vs. a shifting 3D object. We chalked this as much as the likelihood that only a few individuals have an LED wall and are utilizing Runway, so it may not have a number of profitable examples to consult with. Also, having a fancy digital camera motion the place the principle actor’s face shifts fairly a bit throughout the shot in measurement and orientation appeared to throw off the AI.

Experiment #3: Green display screen

For our subsequent experiment, we tried a inexperienced display screen setup as a result of placing inexperienced on an LED and getting an appropriate secret is elementary. We created an identical shot to the seated driving shot we had performed beforehand. We captured our actor seated in a set medium shot on a inexperienced background, once more with the Ursa, after which composited it over a background driving shot. The compositing was rushed, however it seemed acceptable.

When we fed this shot into Runway, we added a reference picture of Thor from the Marvel motion pictures to see what would occur. In this shot, the AI once more struggled with the idea of a flat CG background with a bodily foreground. It did a wonderful job of reworking the actor to look considerably just like the Thor-style reference. But it struggled to detect the movement of the composited background plate. Instead, it handled it as a set location with shifting objects. So it seemed like an individual sitting in the midst of a area with clouds or shifting bushes taking pictures by. Weird and considerably attention-grabbing although not what we needed to see.

Our preliminary three experiments introduced us to the conclusion that working with an LED wall was a blended bag—no less than with Runway. Combining live-action bodily parts with LED or inexperienced display screen confused the AI.

Also, it was a beautiful day outdoors, so we determined to shoot some scenes in real-life places and see how the AI would cope with a shot composed solely of actual parts with out composited or projected backgrounds.

Experiment #4: Location shoot

As we went outdoors, we selected a distinct part of our check script to try. In this scene, the principle character is meant to rise out of the Seine River and strategy the burning cathedral. We walked to a close-by faculty campus that had a big church. The church was present process renovations just like the circumstances of the 2019 hearth, so it appeared like begin.

We have been on the iPhone with me because the actor once more, this time pulling myself out of a small fountain with the church within the background. For this experiment, we tried Kaiber to check its outcomes to Runway’s. For every try, we used numerous reference pictures of reports images from the unique blaze and our new clip.

These outcomes resulted in some trippy pictures but additionally some moderately promising outcomes. Runway and Kaiber did a wonderful job creating the background and styling it. Runway was extra summary and in addition modified the time to nighttime. Kaiber seemed extra like an illustration than cinematography however was additionally visually sharper. It did job including in hearth results and smoke plumes, though as an alternative of billowing naturally, they form of vibrated and shook in place.

Both instruments struggled with a constant look for the actor. Runway turned me right into a spaceman/firefighter, however one which morphed/mutated wildly throughout the shot. Kaiber’s outcomes have been much less summary but additionally morphed all through the shot.

I’m a fiend for carrying a flat cap as a result of my pores and skin burns like a vampire’s within the solar. And for some cause, each instruments appeared to alter their thoughts alongside the way in which as to what to remodel my hat into. Runway made it right into a firefighter’s helmet with my actual face sometimes shining by means of. Kaiber made it nearer to the true hat, however it additionally shifted between a number of completely different types as I pulled myself out of the fountain. Parts of Kaiber’s shot seemed fairly good, however the outcomes weren’t constant throughout the shot’s length.

Experiment #5: Additional on-location shoot with extra digital camera motion

Most of our pictures to date concerned the actor in a medium or close-up shot, roughly going through towards the digital camera with minimal digital camera motion. While many pictures in a film are exactly these kinds of pictures, we additionally needed to see what AI would do with the form of wider grasp and establishing pictures {that a} film would comprise.

At this level, we realized we most likely wouldn’t get sufficient constant seems to be throughout our pictures to make a whole scene, so we deserted the script and simply shot numerous complicated pictures as we walked round.

We fed a few these pictures into each Kaiber and Runway. And hit the identical limitations: parts of the outcomes have been attention-grabbing and what we needed. But the background and—much more so—the actor would mutate and remodel all through the shot in methods we couldn’t predict or cancel out. They are fascinating as experiments however not instruments you can persistently use to provide one thing not meant to be impressionist/fantasy.

Experiment #6: Text-to-text

Although nearly every little thing we did was live-action experiments with video-to-video, we thought we’d strive yet one more avenue. Just to see what was attainable with no supply picture reference, we additionally tried some textual content prompts utilizing the text-to-video Gen-2 generator software in Runway.

While this persistently produced attention-grabbing outcomes, they have been completely different by way of output model, whatever the reference imagery and parameters. Sometimes it additionally resulted in odd deformations of the human characters, so hopefully there might be an choice to tamp that down sooner or later.

This could possibly be helpful for storyboarding or brainstorming ideas. But it didn’t appear as helpful for last imagery since you need your characters and settings constant from shot to shot throughout a sequence. Sure, we had some success getting some consistency by reusing seeds and reference imagery, however the outcomes have been nonetheless difficult to repeat on a dependable foundation.

Experiment #7: Hybrid strategy utilizing Wonder Studio mixed with Runway/Kaiber

By this level within the shoot, it dawned on us that utilizing AI video-to-video instruments to bypass the necessity for costly units and visible results was most likely not possible, no less than not with present instruments. They confirmed us a number of promise and occasional glimpses of what we sought. Still, they weren’t able to persistently ship the outcomes you’ll anticipate from a digital content material creation software on an expert stage.

But it did make us assume, “What if we leaned into the strengths of these tools and leveraged them?” Instead of making an attempt to remodel the whole body, we may remodel the backgrounds and use different AI instruments to extract our foreground characters and composite them conventionally. Given the outcomes we’d seen to date, this hybrid strategy appeared prefer it may work.

For this experiment, we took a shot the place I’m strolling down a hill in Golden Gate Park towards the digital camera (iPhone), coming from a large shot to a medium shot, after which I stroll out of the body because the digital camera slowly pans.

Creating an alpha masks and cleansing the plate.

We added one other AI software, Wonder Studio, from Wonder Dynamics. Wonder Studio is billed much less as a generative AI product and extra as an AI movement seize, rotoscoping, and compositing software. The thought was to make use of Wonder Studio to extract me from the unique shot and supply a clear background plate. Then we’d use Runway video-to-video to model that clear plate and at last use the matte from Wonder Studio to composite me again over the newly regenerated plate.

This hybrid strategy was slower and extra labor-intensive than pure video-to-video. To offer you an thought, we’d sometimes get outcomes out of Runway or Kaiber in a few minutes. With Wonder Studio, the time to course of a shot would vary from 30 to 45 minutes. Remember, that point included movement monitoring, rotoscoping the actor out of the plate, and if desired, creating a brand new CG character following the actor’s markerless mocap.

For perspective, all that work would take human VFX artists a number of hours, probably days, to perform.

Our again plate

With Runway solely having to cope with an empty background plate devoid of people, the outcomes have been far more constant. Also, the movement of the digital camera and the shifting background have been completely mirrored within the AI-generated background. We acquired a number of completely different types, all of which seemed fairly cool.

Next, we took the alpha matte Runway created to composite the actor again into the brand new AI-generated backgrounds. The outcomes seemed good: no extra summary, morphing foregrounds. The background matched up properly with the framing and digital camera motion. Our composite was a little bit ragged however may have been made excellent with extra effort and time.

It’s value noting that we have been utilizing FCPX for our compositing, right here. It’s doubtless {that a} devoted compositing utility reminiscent of After Effects or Nuke would have yielded higher outcomes. That mentioned, our hybrid strategy delivered probably the most satisfying and controllable outcomes of the entire shoot. And with that, our three-day Generative AI meets digital manufacturing shoot was a wrap.

General observations from the shoot

We discovered the outcomes from the AI instruments to be predictably unpredictable. We struggled to find out why some outcomes have been near our desired impact, and others have been far off. No matter which parameters we tweaked, the outcomes have been difficult to deliver into line in a constant method.

For these instruments to realize a spot in a correct movie manufacturing pipeline, they’ll want intuitive UI controls with granular management over the outputs—akin to a standard 3D modeling or compositing app. Right now, summary controls result in summary imagery. Easy to play with or to create a surreal business or music video, maybe, however not prepared for skilled initiatives of all sorts. That mentioned, we anticipate this to evolve shortly.

We discovered the outcomes from the AI instruments to be predictably unpredictable.

Another basic commentary was the AI instruments have been most adept at medium closeups taken from a selfie perspective. They struggled to trace an actor shifting laterally all through a shot or altering relative measurement, particularly when mixed with a free-moving digital camera.

Most motion pictures are shot in a wide range of shot sizes, with a digital camera shifting in a number of instructions, so there’s loads of room for enchancment right here. Hopefully, as extra individuals use these instruments, they’ll get higher at processing numerous shot sizes and digital camera actions.

Second opinion(s)

After we accomplished the shoot, we additionally recorded a debriefing to debate the outcomes and examine our observations on how helpful these instruments at the moment are for actual manufacturing pipelines and the place they might doubtlessly evolve to be extra so. Here are some quotes from that session:

Keith Hamakawa, VFX Supervisor

“The first places AI tools like Runway or Kaiber generation could slide into is short form. You won’t use it for a whole movie, but because it’s better at creating backgrounds, perhaps matte painters will be in danger of losing gigs or at least needing to work with these tools. You’ll say, ‘I need a futuristic cyberpunk cityscape with flying blimps in the background,’ and it’ll generate that with a moving camera ready to go.”

“It reminds me of the movie Waking Life, which is rotoscoped animation over footage shot on prosumer video cameras. AI renders look a little like that, only now you won’t need a team of 150 animators doing the labor-intensive work.”

“Even on the cutting edge of virtual production, we’re dealing with technology that’s had decades to mature. AI Generative video is not even a toddler yet, but maybe in ten years, it could advance to something where there isn’t a need for a film crew or a sound stage.”

“As Danny Devito in Other People’s Money once said, ‘Nobody makes buggy whips anymore, and I’ll bet the last company that made buggy whips made the best buggy whips you ever saw.’ AI will replace jobs in the movie business, replacing them with new jobs.”

Kim, Writer/Director/Editor

“I expected a far greater level of control and interaction with the UI. There was no pathway to get from one place to another. As a filmmaker, you’re usually not living in the world of abstract storytelling where consistency doesn’t matter.”

“AI opens many potential doors for actors—assuming it’s not abused—with the ability to play de-aged or creature characters without wearing heavy prosthetics. I can’t imagine they’ll miss spending six hours in a makeup chair.”

“These tools would be good for anyone who needs to pitch a project to a studio or investors. You can visually create the story that goes with your pitch. When these tools improve, you can have a very professional-looking product that sells your idea without hiring a crew to shoot it in the first place.”

“The current state of AI reminds me of my first opportunity to work with an experienced film editor on Avid, who had never worked in a digital space. I got promoted to first assistant editor because I’d been trained in digital editing. Everything changed so fast from film editing to digital, and it never went back. That didn’t happen because it made the film any better. It happened because the producers realized they would spend less money cutting digital vs. on film.”

Where does that go away us?

Generative AI, because it pertains to filmmaking, is at the moment in its infancy, however the place may it develop quickly and over the long run? Based on our experiences, you can envision a number of attainable situations:

  1. An enormous transformation of how movies are made with the potential to disrupt every little thing—from what jobs live on to who controls the technique of manufacturing. Some historic examples of this stage of disruption: sound, shade, optical-to-digital compositing, film-to-digital, and digital manufacturing.
  2. AI instruments fail to coalesce into something game-changing. Examples of this are 3D, 3D, and 3D, which appeared and disappeared in no less than three vital cycles within the ‘50s, ‘80s, and early 2000s.Each time they were positioned as the next big thing for filmmaking, but ultimately failed to sustain mainstream success.
    3D repeatedly failed because the audience’s urge for food isn’t robust sufficient to justify the elevated manufacturing prices and the discomfort of carrying glasses. It’s an excellent gimmick, however audiences appear glad for probably the most half watching 2D leisure. Perhaps this type of leisure will lastly go mainstream when the know-how exists for glasses-free 3D through holography or another technique. Who is aware of?
  3. AI lands someplace in the midst of the primary two extremes. In this consequence, some areas of cinematic manufacturing are closely impacted and remodeled by AI, whereas others are comparatively unchanged.

This looks as if a extra life like consequence as a result of it’s already occurred to an extent. Areas reminiscent of modifying, visible results, previsualization, script analysis, and so on., are already imbued with numerous types of AI and can doubtless proceed on that trajectory.

On the hype cycle

Here’s one other means to have a look at the trajectory of AI and actually all doubtlessly transformative/disruptive applied sciences, courtesy of the Gartner hype cycle.

Based on this projection, it’s honest to say that generative AI is at the moment approaching (probably even sitting at) the height of inflated expectations on Gartner’s Hype Cycle.

Final ideas (for now)

It’s been mentioned by people within the know that an AI won’t essentially take your job, however a competitor who’s mastered an AI software simply may. AI could possibly be extremely disruptive and has already been described because the fourth industrial revolution by numerous sources.

It occurs when a brand new know-how radically alters society through modifications to the composition of the labor pressure and modifications in residing circumstances, some good, some unhealthy, however primarily favorable over the long run. Some of the prior vital applied sciences which led to industrial revolutions have been the steam engine, electrical energy, and electronics/IT.

So after studying about our experiences, what are you able to do to surf the wave of AI and never be inundated by it? I’d recommend that you just be taught every little thing you may concerning the AI instruments that have an effect on your chosen area. And if you happen to’ve all the time dreamed of a distinct profession however have been afraid to rock the boat since you’re already established, AI may be the catalyst it’s essential to bounce ship.

Don’t purchase into the hype or the worry mongering surrounding AI within the information. Most of that’s there to promote you one thing or make you afraid when you click on by means of adverts. All that’s to say, I’m not discounting the intense moral, regulatory, and authorized points round AI that must be resolved.

Under the present guidelines of the United States Copyright workplace, works generated by AI are usually not copyrightable. So, issue that into what you create with these instruments and the way you intend to make use of these creations. Also, the coaching information used to develop some fashions, reminiscent of ChatGPT and MidJourney, comes from the open web.

The artists whose work is used for the coaching information are usually not being credited, compensated, and even acknowledged for the unauthorized use of their work as coaching information. Whether that act triggers licensing guidelines or falls underneath Fair Use has not been determined within the courts nor through laws.

We’re at the moment within the Napster part of AI, and we’re already beginning to see regulation, litigation, and product innovation that may in the end land us within the Spotify part of AI. By that, we imply that AI content material might be categorized, accredited, licensed, and acknowledged by the supply/coaching information that it makes use of—very similar to how Adobe’s Firefly attracts from a legally-acquired dataset.

I’ve discovered through the years masking film manufacturing that it’s a continuously evolving science experiment. Visionary artists like Walt Disney, George Lucas, and James Cameron embraced new applied sciences, molded them to inform never-before-imagined tales, and made their careers profitable within the course of. The naysayers who needed to place the genie again within the bottle in the end retired, give up, or simply disappeared within the inevitability of progress.

This is an inflection level, and fortune favors the daring. So maintain your eye on merchandise as they evolve, and maintain these instruments up in opposition to your personal workflows. If you could find a strategy to put AI to be just right for you, now’s the time!

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