"I'm Not Done Yet": Adam Beyer Reflects On His Storied Career and Stunning New Album

Adam Beyer is proof that consistency is vital on the earth of digital music.

Whether or not it’s his hard-hitting techno productions or a extra subdued home beat, Beyer’s potential to bounce between genres is a key purpose for his longevity within the scene. Look no additional than the virtuosic producer’s newest album as proof of his endurance.

A mission that is 20 years overdue, Explorer Vol. 1 is a set that completely summarizes the contributions of one of the vital prolific DJs and producers to come back out of Sweden. The album’s 16 tracks are the primary in a collection that goals to showcase all of Beyer’s different sounds.

Explorer Vol. 1 drops simply as Beyer is gearing up for the upcoming thirtieth anniversary of his influential report label, Drumcode. The revered imprint, which has attracted a legion of loyal followers worldwide since launching again in 1996, additionally serves as a form of wanting glass into Beyer’s storied profession.

“Where did the time go?” asks Beyer as he sits down with EDM.com to debate Drumcode’s anniversary. “When you’re 20 and you start a label, you don’t think about it being a 30-year-old label and being able to see your life from the other side.”

The beloved imprint has retained its recognition all through the a long time, serving as a platform for artists resembling Alan Fitzpatrick, Charlotte de Witte, Nicole Moudaber, Victor Ruiz and UMEK, amongst others. Drumcode’s forthcoming commemoration additionally coincides with Beyer’s large 5-0, cementing him firmly amongst the small variety of DJs who proceed to face behind the decks effectively into their later years.

“No one really knew back then how long this would last,” Beyer remembers when requested if his middle-aged friends would proceed to DJ and produce as they mature. “There are a few that are out there past 60, and they’re still doing it. They’re breaking ground into things never done before, and that’s inspirational.”

For Beyer, his ardour for music is what fuels his potential to advance his craft. Additionally, a renewed deal with his total well being and wellness additionally performs a key function within the longevity of his profession.

“There’s a lot more focus within the DJ community on health, working out more and drinking less,” he says. “Everyone used to party back then, and now not so much. I firmly believe you can go to 65, as long as you can stand up and have your hearing.”

As one in every of at present’s most in-demand techno producers, Beyer additionally grapples with a busy tour schedule, placing him at odds along with his household life. The grueling expectations of touring DJs are essentially the most troublesome parts to think about.

“I’d be lying if I said I haven’t missed a lot of their upbringing,” Beyer laments whereas talking about his kids. “I’ve been out a lot, I come and I go, and that’s probably the toughest aspect of it.”

One unlucky instance of the fixed push-and-pull between Beyer’s skilled and private lives took place final month after his daughter, Uma, was struck by a car in Ibiza. After struggling extreme head trauma, she has shortly recovered, however not earlier than shifting Beyer’s perspective on the matter.

“It’s pretty incredible how fast she’s recovered after what happened and how she got away as well as she did,” Beyer says. “When it happened, I canceled two weekends because I was in the hospital with her. Going forward, I’m gonna have to go back to work. We live in Ibiza, we have overheads, we have staff, and I cannot just take tons of time off.”

Beyer has been residing on the storied Spanish social gathering island for eight years. Calling it the precise reverse of Sweden, he says he is been capable of benefit from the extra mellow vibes Ibiza has to supply, notably within the non-tourist months.

“I love it here off-season more than on-season,” says Beyer. “I think a lot of people think of Ibiza as a party island only. But it’s more than that. It’s an island with people living here year-round with normal lives, and we’re privileged to live here.”

Having resided on the White Isle for almost a decade, Beyer can attest to its quickly altering membership tradition.

“To see places like [UNVRS] be able to open is good for Ibiza,” Beyer says of the newest megaclub to open on the Balearic island. “I hear a lot of people say that it’s not like the old Ibiza and that it was better back then, but you have to embrace change. There’s only one Ibiza in the world with a foundation of club culture that goes further than just dance music and opening a new club.”

As for Explorer Vol. 1, Beyer admitted the thought for the brand new mission got here after he created an album in the course of the pandemic, solely to scrap it altogether.

“I decided not to release it because it was just too much for my audience to process,” Beyer admits. “It was an introspective listening album. Even though I did not go through with it, I had unfinished tracks that I thought were good, and the idea to do an album was still there.”

When requested about its central thesis, Beyer expressed that his goal was to try to encapsulate his sound in a single physique of labor.

“I kind of wanted my album to reflect the fact that I have different genres from house to tech house to techno, but they all fit within that Drumcode sound,” he exolains. “It felt like the right time to compile them and create the first of an exploration of all my different styles.”

Half of the cuts present in Explorer Vol. 1 are collaborations with the likes of HNTR, Kyozo, Chris Avantgarde and EDM.com Class of 2025 inductee Layton Giordiani. Beyer touched on these partnerships, alluding to artistic alliances that shaped organically and superior the ethos of the album.

“I don’t like to force things in life, I believe in my gut when it comes to my label and artist chemistry,” mentioned Beyer. “Those collabs are quite coincidental; it was more like people showing up or me contacting someone and having an idea and going through with it.”

Although the album could have simply been launched, Beyer says he is already waiting for subsequent 12 months as he enters the fourth decade of Drumcode.

“There will be some sort of big party, kind of a festival experience next year for all the Drumcode heads,” he revealed.

The milestone celebration, alongside his upcoming fiftieth birthday, has Beyer optimistic about the way forward for not solely his label and profession, but in addition for his well-being.

“Drumcode has given me a very amazing life where I’ve been able to travel the world and live my passion,” Beyer says. “I’ve sacrificed a lot, but I’ve been very privileged to live my passion. I’m not done yet but I’m definitely starting to see the horizon again.”