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Welcome to The Queue — your each day distraction of curated video content material sourced from throughout the online. At the moment, we’re watching a video essay that explores the body price of the human eye.
Let’s get the apparent out of the way in which: the human eye doesn’t have a body price.
The way in which that the ocular goop in our heads perceives the world and the way in which {that a} digicam “sees” shouldn’t be 1:1. Although we’ll be the primary to confess, the comparability is compelling. It’s a metaphor that at its finest intends to ask folks into conversations in regards to the technical wizardry behind shifting photos. And but, at its worst, the organic metaphor misleads sure cinephiles into the aforementioned fallacy. Specifically: our squishy, natural eyes don’t see in body price. The following time somebody says that, smack the ice cream cone out of their hand and inform them I despatched you!
Now, the fallaciousness of this complete affair doesn’t imply that comparisons between human notion and its cinematic surrogate aren’t worthwhile. There may be completely one thing to be gained from the train of myth-busting the arguments that boil right down to “properly, our eyes can’t even SEE at that prime body price so what’s the purpose?” Because the video essay under proves, myth-busting the organic argument is a chance to speak a few litany of optical phenomena related to filmmaking: obvious movement, Bloch’s regulation, temporal aliasing idea, and far, rather more.
That’s proper, we’ve tricked you. Welcome to physics class. Pull up a seat.
Watch “What’s the Body Price of the Human Eye?”
Who made this?
This video essay on the body price of the human eye is by Filmmaker IQ is a YouTube channel disseminating all method of movie historical past and know-how. Their movies vary from the extremely technical (what to do if your green screen footage has something green in it) to the opinionated (are superhero movies destroying cinema?). Website creator and director John P. Hess is our narrator. You may subscribe to Filmmaker IQ on YouTube here. And you’ll comply with them on Twitter here.
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Associated Subjects: Cinematography, Science, The Queue
Meg has been writing professionally about all issues film-related since 2016. She is a Senior Contributor at Movie Faculty Rejects in addition to a Curator for One Excellent Shot. She has attended worldwide movie festivals reminiscent of TIFF, Scorching Docs, and the Nitrate Image Present as a member of the press. In her day job as an archivist and data supervisor, she usually works with bodily media and is dedicated to making sure ongoing bodily media accessibility within the digital age. Yow will discover extra of Meg’s work at Cinema Scope, Useless Central, and Nonfics. She has additionally appeared on quite a lot of film-related podcasts, together with All of the President’s Minutes, Zodiac: Chronicle, Cannes I Kick It?, and Junk Filter. Her work has been shared on NPR’s Pop Tradition Glad Hour, Enterprise Insider, and CherryPicks. Meg has a B.A. from the College of King’s School and a Grasp of Data diploma from the College of Toronto.
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