This submit initially appeared on the Adobe blog on March twenty second, 2024. Based on the true story of Kemba…
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“I Could Do a Dynamite Directors Cut, Because I Know Where All the Best Stuff is, But That Would Defeat the Whole Purpose of the Project”: Gary Hustwit on ENO
Brian Eno in ENO What was identified, actually, as “the cutting room floor,” now exists as a digital bin, an…
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This 12 months marks the thirtieth anniversary of Disney’s “The Lion King” (at the moment in theaters for a restricted…
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Marker Data — a fast look by Iain Anderson
Professional workflows typically require you, the seasoned editor, to facilitate an interface between your timeline, different apps and different folks.…
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Insider Tips: How to Use FCP’s Segmented Exports for Long Edits
Every week, Frame.io Insider asks one in all our knowledgeable contributors to share a tip, software, or method that they…
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Oxbelly Announces the Fellows and Advisors of Its 2024 Oxbelly Retreat
Charlie Kaufman and Barry Jenkins on the Oxbelly Retreat (Photo: Yannis Drakoulidis) The Greek nonprofit Oxbelly introduced right now the…
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Martin Scorsese Applauds Ti West’s ‘MaXXXine’
Martin Scorsese is a longtime fan of indie filmmaker Ti West. Scorsese penned a letter to the New York Times…
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IFH 758: The Philosophy of Screenwriting in Hollywood with Pen Densham
Alex Ferrari 0:17I’d prefer to welcome to the present Pen Densham. How you doing my good friend? Pen Densham 3:57I’m…
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Art of the Frame Podcast: Editors on Editing with “Inside Out 2” Editor: Maurissa Horwitz by Art of the Frame
On this episode of Editors on Editing, Glenn interviews Maurissa Horwitz. Maurissa’s credit embrace Playmobil: The Movie & Open Season:…
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Insider Tips: Using Avid Sequence Templates to Save Time
Every week, Frame.io Insider asks certainly one of our knowledgeable contributors to share a tip, device, or approach that they…
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