Creating an Adjustment Layer for LUTs in Ultimate Minimize Professional

Each week, Frame.io Insider asks certainly one of our knowledgeable contributors to share a tip, instrument, or approach that they use on a regular basis and couldn’t reside with out. This week, Reuben Evans reveals you easy methods to trick Ultimate Minimize Professional into creating an Adjustment Layer that you need to use for LUTs and different results.

Creating an Adjustment Layer for LUTs in Ultimate Minimize Professional

Apple’s Final Cut Pro doesn’t function a built-in Adjustment Layer function. It prefers that you simply apply seems to be and results at a clip stage. However many editors need to have the ability to apply a LUT or an impact to a whole timeline shortly.

Fortunately, Apple’s Motion app makes it straightforward to create one. Larry Jordan’s technique for creating an Adjustment Layer is a intelligent technique to get what you want.

Even though Final Cut doesn’t offer Adjustment Layers, you can trick it into creating something that’ll do the same job. — Though Ultimate Minimize doesn’t supply Adjustment Layers, you’ll be able to trick it into creating one thing that’ll do the identical job.

Open Apple Movement and create a Ultimate Minimize title. We aren’t making a title, however this course of locations a clear layer over your timeline, similar to a traditional Adjustment Layer. And we will use this for our LUT or impact.

Movement will launch a brand new venture with layers. Delete the layer that claims “Sort Textual content Right here.” Then save your venture and name it “Adjustment Layer.” I created a class with my title.

Save your title layer to a category in Motion and it will then be available in the Generators sidebar in Final Cut Pro. — Save your title layer to a class in Movement and it’ll then be out there within the Turbines sidebar in Ultimate Minimize Professional.

Including your LUT

Now return to Ultimate Minimize Professional. Click on on the Turbines Sidebar icon and choose the class that you simply put it in, (“Reuben,” in my case), and also you’ll see the Adjustment Layer. Drag it down into your timeline. And trim it to your required length—which might cowl a number of clips in your timeline.

Adjustments to the Color Board will affect any clip that sits beneath your adjustment layer. — Changes to the Shade Board will have an effect on any clip that sits beneath your adjustment layer.

Choose the Adjustment Layer, and go as much as the Shade Board (Cmd+6). Now should you make a colour correction, it’ll have an effect on all of the clips. And you may simply disable the Adjustment Layer if you’ll want to.

You can add a custom LUT to your new Adjustment Layer. — You possibly can add a customized LUT to your new Adjustment Layer.

Within the “Shade” class of the Video Results you’ll discover a “Customized LUT” filter. Drag this filter onto the Adjustment Layer. Within the Inspector, now you can choose or import a customized LUT of your selecting to have an effect on all of the clips beneath the adjustment layer.

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