A spark of insanity is usually step one towards creation. On right this moment’s episode, we welcome Bojan Dulabic, a passionate Vancouver-based filmmaker who pulled off a small miracle—he made a full-length zombie film for simply $5,000. But this isn’t only a story of budgeting brilliance; it’s a story of relentless ardour, creative imaginative and prescient, and the sort of self-taught knowledge you possibly can’t get in movie college.
Born in Bosnia, raised in Germany and Croatia, and at last settled in Canada, Bojan Dulabic’s journey into filmmaking is stitched collectively by warfare, displacement, and a baby’s fascination with VHS tapes in his mom’s store. His youth appears like one thing out of a worldwide coming-of-age novel. And maybe that nomadic upbringing seeded in him a present for remark—a key trait in any nice storyteller. When he lastly turned his teenage creativity into a movie challenge in highschool, one thing clicked. Not simply the shutter on a digital camera, however the inside compass of a person who knew he needed to comply with the trail of cinema, even when it meant doing it on his personal phrases.
This wasn’t a journey paved in gold. His first characteristic, shot for $4,000, was a comedy that taught him the ropes. His follow-up? A feature-length zombie movie titled Project Eugenics. What may have been a cliché style dive as a substitute turns into a considerate narrative on misinformation, the chaos of recent life, and sure—zombies as metaphors. “To me, a zombie flick… it’s not about the zombies. It’s always about something else,” Bojan displays. In his arms, the strolling lifeless develop into symbols of mass confusion, manipulation, and the blurred strains of fact in our hyper-connected world.
There is a playful seriousness to Bojan’s philosophy. He reveres Romero and admires Rodriguez, however he walks his personal highway. Like Alan Watts would muse in regards to the dancer and the dance, Bojan appears much less involved with closing outcomes and extra with being within the artistic stream—tripping over obstacles and discovering which means within the insanity. He shares tales of juggling a marriage, a good taking pictures schedule, and DIY visible results like a magician with duct tape. His secret? A mindset that embraces “safe confusion”—a time period borrowed from Tarantino—that invitations the viewers into thriller with out dropping them.
What’s extra, Bojan brings a uncommon humility to the desk. He speaks about his solid and crew with deep respect, understanding that low-budget filmmaking doesn’t provide the license to burn out others to your dream. His actors typically labored only a few days, every scene scheduled with precision. His respect for time, vitality, and goodwill could also be the true motive his movie got here collectively. For him, filmmaking is not only a artistic act however a religious contract—with himself, along with his collaborators, and with the viewers.
This podcast isn’t only a technical breakdown of low-budget indie cinema. It’s a religious blueprint for artists who really feel the fireplace however lack the funds. Bojan’s strategy is radical as a result of it’s so easy: take inventory of what you will have, and construct from there. Whether it’s inventory footage, free VFX plugins, or your pal’s front room—use it. More importantly, end it. Don’t look ahead to permission. Make your film now.
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